‘Forces of anarchy, wreckers of law and order: Communists, Maoists, Trotskyists, neo-Trotskyists, crypto-Trotskyists, union leaders, Communist union leaders, atheists, agnostics, long-haired weirdos, short-haired weirdos, vandals, hooligans, football supporters, namby-pamby probation officers, rapists, papists, papist rapists, foreign surgeons, head-shrinkers – who ought to be locked-up; Wedgewood-Benn, keg bitter, punk rock, glue-sniffers, Play for Today, squatters, Clive Jenkins, Roy Jenkins, up Jenkins, up everybody, Chinese restaurants…’
The famous rant from ‘The Fall and Rise of Reginald Perrin’ by Reggie’s unhinged ex-army brother-in-law Jimmy (a man forever experiencing a ‘bit of a cock-up on the catering front’) is counteracted by Reggie himself, who points out the kind of people Jimmy’s proposed right-wing private army will attract – ‘Thugs, bully-boys, psychopaths, sacked policemen, security guards, sacked security guards, racialists, paki-bashers, queer-bashers, chink-bashers…rear-admirals, queer admirals, vice-admirals, fascists, neo-fascists, crypto-fascists, loyalists, neo-loyalists, crypto-loyalists.’
The figures of hate may have changed in forty years, but an equivalent rant could easily be penned today, whether one’s parting is on the left or on the right. The level of anger and awareness of his own impotence in changing the world for what he perceives to be the better that’s implicit in Jimmy’s rant forces him into contemplating a doomed military coup, albeit an unspecified idealistic one he knows hasn’t a cat in hell’s chance of success; but he’s willing to give it a go, anyway, because there’s nothing else keeping him alive but hatred. It’s the sole emotion that makes him feel anything anymore. He’s been laid off by the army, the only profession he ever knew; he’s redundant and looks around at a society he doesn’t recognise, and hatred is the one thing he’s got. That at least retains its relevance.
There are a good few people in society today whose passions are fuelled by hatred in the absence of anything else, propelled towards extreme actions by the media message (or holy book) they decide supports and validates their viewpoint. There are many more that mercifully baulk at extreme actions but nevertheless focus on what they regard as the source of their misery with an intensity that is as illogical as it is understandable. John Lennon’s bitter recollection of the petty arguments that marred the ‘Let it Be’ sessions – whereby a bum note by one Beatle is responsible for why another Beatle’s life is lousy – highlights a simplistic blame game that appears to be the default mindset of many right now. Angry people in North Kensington blame government; angry people in Birstall blame immigration; angry people on London Bridge blame western civilisation; angry people in Finsbury Park blame Allah.
The gloomy prognosis of Maajid Nawaz, co-founder of the Quilliam Foundation counter-extremism think-tank is that both far-right and Islamic extremists threaten a virtual civil war if events of the past month are allowed to escalate further. ISIS-inspired or sponsored attacks are designed to polarise and Nawaz predicts they’ll continue to do so unless certain fundamental issues are addressed; and if trying to address them is greeted with cries of racism or Islamophobia (usually from non-Muslims on the left for whom Muslims are their pet Victims) then we ain’t get gonna get anywhere. ‘The desire to impose Islam and the desire to ban Islam are simply two ends to a lit fuse that can only lead to chaos,’ says Nawaz.
It doesn’t help that it’s so bloody hot at the moment either. Excessively warm weather doesn’t itself provoke chaos, but it can exacerbate simmering tensions; it did in 1976 at the Notting Hill Carnival, just as it did in Brixton and Toxteth in 1981; and, lest we’ve already forgotten, a host of cities across the country in 2011. All occurred during the uniquely claustrophobic cauldron of an urban English summer, when people are denied the need to breathe that the wide open spaces of rural areas afford their residents. The current heat-wave comes at an extremely perilous and unstable moment in this nation’s modern history.
The tragedy at Grenfell Tower, the indecisive General Election result, the weekly terrorist atrocities, the Brexit negotiations, the perceived indifference to austerity by those untouched by it – all ingredients in a combustible recipe that has the potential to boil over; and bringing in COBRA to keep an eye on the kitchen won’t necessarily turn down the temperature. Let’s hope we’re in for a cold spell, then.
ISIS destroying ancient monuments in Syria and a Momentum stormtrooper burning two-dozen copies of the Sun on social media may be worlds apart, but both are demonstrations of the same self-righteous arrogance and forcible imposition of a belief system that criticism of is forbidden. After the last terrorist incident – though I am losing track of them now, to be honest – I wrote a post I opened with a quote from Rosa Luxemburg (1871-1919): ‘Freedom is the freedom to think otherwise’. That quote should be scrawled on campus walls, inscribed on the first page of the Koran, and carved into the front door of 10 Downing Street. The majority of people in this country probably agree with the sentiment, but those that don’t have the loudest voices. And they’re angry.
BRIAN CANT (1933-2017)
Only three weeks ago I penned a post in tribute to childhood giant John Noakes and mentioned how Noakes’ memorable persona was in the ‘daft uncle’ tradition so prevalent on children’s television in the 1970s. A name that cropped up in this post was that of Brian Cant; and now Cant too has gone. He was the same age as Noakes – 83 – and was held in the same affectionate esteem by those of us who watched him as kids.
One of the longest-serving presenters of ‘Play School’ – for a staggering 21 years – Cant also starred in its more madcap Saturday afternoon incarnation, ‘Play Away’, for 13 years; but it was narrating Gordon Murray’s ‘Trumptonshire’ trilogy of ‘Camberwick Green’, ‘Trumpton’ and ‘Chigley’ that earned his reputation as the owner of golden vocal chords that remain music to the ears of anyone for whom those magical little shows were pivotal to the pre-school experience. Along with Oliver Postgate, Richard Baker, Arthur Lowe and Ray Brooks, the voice of Brian Cant is one guaranteed to instil serenity in a way few pharmaceutical indulgences can.
We need our daft uncles more than ever right now, and they’re leaving us. It’s shit growing-up.
© The Editor